SPYNA, in a nutshell, is a collaborative venture between Sara Federica Lombardo and Giovanni Isgrò, blending musical and performative elements. Sara brings a background in poetic and musical scopes, characterized by hermetic and industrial lyrics enhanced by electronic production. Inversely, Giovanni contributes with extensive experience as music producer, absorbed in sound design, and collaborations with various artists, collectives and festivals.

SPYNA live set is a musical journey through Inner vocals and pulsating beats, aimed to create a distinctive experience that merges music and performance. The sound is a blend of drum machines pushed over the limit, constantly evolving basslines - ranging from oldschool acid mood to most modern sharp domain - and a considerable amount of hypnotising/effected livesampled and vocal loops. The power of SPYNA lies in its ability to transform electronic soundscapes into a medium for exploring emotions and reflections on the contemporary alienation.

SPYNA is a place of confluence, a current that flows through bodies and consciousness, a sonic blade that cuts the veil between what is accepted and what is hidden. It is a musical and performative journey that explores the ambiguous territory between madness and the need to mask it, between inner disorder and society's obsession with control.

Sara Federica Lombardo and Giovanni Isgrò bring SPYNA to life by intertwining words, sound, and gesture in a performance that is ritual, detonation, and soul-stripping. Sara's voice, suspended between the poetic and the industrial, carries the weight of the unspoken, transforming language into an act of resistance against the annihilation of the individual. Giovanni, through sound design, modulates the abyss with constantly evolving basslines, overdriven drum machines, and electronic textures oscillating between the organic and the synthetic, between the corporeal and the virtual.

SPYNA is a thorn in the side of homogenization, a short circuit between the organic and the electromagnetic, between the rational and the visionary. It is an open wound pulsing to the rhythm of contemporaneity, a channel where delirium and lucidity meet, where the desire to scream collides with the shame of being heard. In an era that stigmatizes mental fragility, SPYNA exposes it, amplifies it, makes it visible and vibrant.

Through their performances, SPYNA creates a space where madness is not a condemnation but a driving force, not a deviation but a language. Their sound resonates with a profound tension: the human need to dance on the edge between control and the loss of it, between ritual and rupture.

SPYNA does not offer answers but throws doors wide open. It is an invitation to feel alive in the paradox, to not fear the abyss, to transform inner chaos into a moving work of art.